ARTIST  STATEMENT

When I find myself up to my elbows in clay, my imagination begins to explore its creative possibilities. I become enthralled with the feel of wet clay as it slowly takes shape in my hands. I love the way clay connects me to the earth, to history and time.

I search to express in clay, the balance between simple curves and complex designs. Carving and drawing are two of my favorite ways to work. I enjoy the challenge of integrating the design elements found in seed pods as they relate to its function and its form. For me, they are best expressed in the Raku firing. The blackened clay contrasting with the colorful glazes is dynamic, reflecting each pots unique identity. I love the fact that the final results never seem to be in my hands alone.

As potters, we often reference pots as containers, one question I pose is:  What do seed pods contain? How can I express a seed container in clay? Where does the inside begin and the outside end?  How do they open? Pushing the clay from the inside out and leaving the marks is a way for me to express the power of new life pushing against its container, seeking the light of day.  Searching for the answers defines my seeing.

Recently I have been experimenting with Sagger Fired Pots. I love the way the elements from nature burn and smoke, caressing the pots with the shadows of their shapes. By adding chemicals and color I can influence the effect making them mine.

Best of all, this whole experience brings a smile to my soul.

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